The Liang-Zhu jewelry set arranged on a leather-bound book and inside an open wooden box, with dark patterned silk.
Industrial Design · Lost-wax cast · 2012

Liang-Zhu Jewelry 梁祝

Three pieces for one love story: a ring for meeting, a hairpin for longing, a butterfly for what comes after.

Year
2012
Type
Three-piece narrative set
Cast silver · Raw moonstone
Methods
Wax-carving
Lost-wax cast
Project
Solo project
01 · The Legend

序 · A folk story, a thousand years told

《梁祝》is one of China’s four great folk love stories. In a time when women could not attend school, a young lady dresses as a man to attend school, where she becomes inseparable from a fellow student. When her family later holds her to the marriage already arranged for her, the boy dies of grief. On her wedding day she stops at his grave; the earth opens, and she steps in. From the soil rises a pair of butterflies, finally together.

The three Liang-Zhu pieces arranged together inside a small wooden box lined with dark patterned silk.
02 · Three Acts

三件,三幕 · One piece for each act

The story is told in three acts. I gave each act one piece of jewelry, and each piece a different part of the body.

The ring piece, shown from a low rear angle, with a small pearl set in the centre of a butterfly form.

A ring, for meeting. Two students at one desk. The ring is the simplest of the three pieces. A circle, the first thing two people make.

The hairpin piece, shown straight on, with a moonstone set into the head and a long curved tine.

A hairpin, for longing. She wore it every day she could not see him. A hairpin lives close to the head, hidden by the hair. A private object that does not need to be seen.

The butterfly brooch, shown from a low angle, with finely textured wings and a moonstone at the centre.

A butterfly, for what comes after. The wings are veined like the real thing. The clasp closes over the heart. At the centre sits a single moonstone, milky and holding what light it can.

03 · Wax

蠟 · Before silver, there was wax

Each piece was carved by hand in green carving wax. The red attachments are sprues, the channels through which silver later finds its way. They snap off when the cast is broken.

The three Liang-Zhu pieces in green carving wax, with red sprues attached, arranged on a tan work surface.
04 · In Silver

工藝 · Wax, then metal

Each piece was wax-modeled by hand, then lost-wax cast in silver. The surfaces are left unpolished. They hold the light softly, the way a worn silver coin does. The set stones are raw moonstone, chosen for the milky shift.

Technical three-view orthographic drawings of all three pieces, with measurements in millimetres.

First drawn flat, in millimetres.